I’d also encourage you to check out third-party options, such as the Rokinon 24mm f/3.5 non-native glass is generally far cheaper than native options, yet the quality is often outstanding. Nikon photographers should look into the 45mm f/2.8D ED, which can handle portraits, tighter architecture scenes, and close-up nature shots. The 17mm f/4L is great for ultra-wide landscape and architectural photography, while the 90mm f/2.8L is a good telephoto option for portrait, event, and nature scenes. If you’re a Canon photographer, you have a few solid tilt-shift lens choices (though they are on the expensive side!). I’d also urge you to use a wide focal length, if possible – that way, you can create a better sense of place. To create this effect, you need to be elevated by at least 10 feet (though I’d recommend getting higher if possible!). So the bottom of the building will look big, the top of the building will look small, vertical lines will converge, and the building as a whole will appear to be falling backward: And remember what I said about perspective? The closer the object, the bigger it appears. Instead, the bottom of the building will be much closer to the sensor plane, while the top of the building will be much farther away. However, what if you want to lean back to capture a tall skyscraper? When you tilt your camera upward, the sensor plane will no longer run parallel to the building facade. Take a photo, and the building will turn out perfectly straight. If you point your camera directly at a building – so that the camera sensor is parallel to the building facade – every inch of the building is effectively equidistant from the sensor plane. Nowhere is this more prevalent than in architectural photography. In fact, it’s what makes photos look natural! But in certain scenarios, perspective can lead to unnatural effects – that is, perspective distortions. Now, there’s nothing wrong with perspective. You’re familiar with the concept, even if you don’t realize it: When you photograph a scene, the objects closest to the lens look bigger than the objects off in the distance. That way, the depth of field keeps all landscape elements sharp from the foreground to infinity!Īll photos feature perspective. You simply tilt the lens down so the plane of focus is more closely aligned with the ground. If you need a fast shutter speed and you’re working in low light, you may not have the option to shoot at a narrow aperture.Ī tilt-shift lens, however, can ensure an entire shot is sharp even with a shallow depth of field.(Plus, once you get past f/13 or so, you’ll see a noticeable loss in sharpness due to diffraction.)
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |